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Sehr geehrte Damen und Herren,
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<div class="">hiermit lade ich Sie herzlich im Namen der Akademie
der Künste der Welt / Köln zu unseren beiden Veranstaltungen
diesen Sonntag ein.</div>
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Kirwel<br class="">
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<h1 id="seo_h1_tag" class="_5gmx"
data-testid="event-permalink-event-name">Archiving
the Imaginary, the Erased, the
Absent and the Fugitive</h1>
</div>
<div class="item-article-title"><img
apple-inline="yes"
id="9FA51683-68B6-4E68-A8AC-6D565CA7F6DC"
apple-width="yes"
apple-height="yes" class=""
src="cid:part2.2C4EA89F.B427BAEF@uni-koeln.de"
height="319" width="567"></div>
<div class="item-article-title"><font
class="" size="1">Image © <a
href="http://istock.com/pixelwell"
class="" moz-do-not-send="true">iStock.com/pixelwell</a></font></div>
<div class="item-article-title"><br
class="">
</div>
<div class="item-article-title"><b
class="">Mit AVERY F. GORDON und
NATASHA A. KELLY<br class="">
Vortrag und Gespräch in englischer
Sprache<br class="">
5 €</b></div>
<div class="item-article-title"><b
class="">10.06., 18.30 Uhr</b></div>
<div class="item-article-title"><b
class=""><a
href="https://www.stadtgarten.de/"
class="" moz-do-not-send="true">Stadtgarten</a>,
Venloer Straße 40, 50670 Köln</b></div>
<div class="item-article-title"><br
class="">
</div>
<div class="item-article-title">Das
wundersame Archiv, dem AVERY F.
GORDON vorsteht und das sie in ihrem
jüngsten Buch The Hawthorn Archive:
Letters from the Utopian Margins
(2017) beschreibt, ist kein Archiv
im üblichen Sinne, sondern ein
Zufluchtsort für alle, die gegen
Sklaverei, Rassismus, Ausbeutung und
autoritäre Herrschaft antreten.
Gordon, Professorin für Soziologie
an der University of California,
Santa Barbara, beschreibt
staatlichen Terror mit dem Vokabular
des Horror-genres. An diesem Abend
hält sie den einführenden Vortrag
zur neuen Programmachse der
Akademie, found:erased:palimpsest.<br
class="">
<br class="">
AVERY F. GORDON ist Professorin für
Soziologie an der University of
California in Santa Barbara sowie
Visiting Professor an der Birkbeck
School of Law, University of London.
Sie ist Autorin verschiedener
wissenschaftlicher Aufsätze und
Monografien, darunter zuletzt The
Hawthorn Archive: Letters from the
Utopian Margins (2017) und Ghostly
Matters: Haunting and the
Sociological Imagination (2. Aufl.
2008). Im Rahmen der dOCUMENTA 13
entwickelte sie in der Reihe 100
Notes, 100 Thoughts gemeinsam mit
der Künstlerin Ines Schaber die
Notizen für den Breitenau-Raum von
The Workhouse (2012).<br class="">
<br class="">
----<br class="">
<br class="">
The wondrous archive, over which
AVERY F. GORDON presides and which
she describes in her latest book The
Hawthorn Archive: Letters from the
Utopian Margins (2017), is not an
archive in the usual sense, but
rather a haven for all who fight
against slavery, racism,
exploitation, and authoritarian
rule. Gordon, a professor of
sociology at the University of
California, Santa Barbara, describes
state terror using the vocabulary of
the horror genre. This evening she
delivers the introductory lecture of
the Academy’s new program axis
found:erased:palimpsest.<br class="">
<br class="">
AVERY F. GORDON is a professor of
sociology at the University of
California at Santa Barbara and a
visiting professor at the Birkbeck
School of Law, University of London.
She is the author of various
scholarly articles and monographs
including, most recently, The
Hawthorn Archive: Letters from the
Utopian Margins (2017) and Ghostly
Matters: Haunting and the
Sociological Imagination (2nd
edition 2008). As part of dOCUMENTA
13 she developed Notes for the
Breitenau Room of The Workhouse with
artist Ines Schaber as part of the
series 100 Notes, 100 Thoughts.<br
class="">
</div>
</div>
<div class="">___________________________________________________________________________________________________________</div>
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<h1 id="seo_h1_tag" class="_5gmx"
data-testid="event-permalink-event-name">Susanne
Sachsse & Xiu Xiu Original Sin.
A Concert</h1>
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<div class="item-article-title"><img
apple-inline="yes"
id="7ED05648-4012-40A8-BE8F-4B2D82BF6872"
apple-width="yes"
apple-height="yes" class=""
src="cid:part5.8C181D4F.5B6B77E9@uni-koeln.de"
height="427" width="640"></div>
<div class="item-article-title"><font
class="" size="1">Foto:
Susanne Sachsse & Xiu Xiu,
Original Sin © Susanne Sachsse</font></div>
<div class="item-article-title"><br
class="">
</div>
</div>
<div class="item-article-title"><b
class="">Mit VAGINAL DAVIS,
SUSANNE SACHSSE, ANGELA SEO,
MARC SIEGEL, JAMIE STEWART<br
class="">
In englischer Sprache<br
class="">
15 € / 10 € ermäßigt<br class="">
Kombiticket mit <a
target="_blank"
href="https://www.facebook.com/events/326501934421349/"
class=""
moz-do-not-send="true">Avery
F. Gordon - Vortrag und
Gespräch</a>: 17 € / 12 €
ermäßigt</b></div>
<div class="item-article-title"><b
class="">10.06., 20.30 Uhr</b></div>
<div class="item-article-title"><b
class=""><a
href="https://www.stadtgarten.de/"
class=""
moz-do-not-send="true">Stadtgarten</a>,
Venloer Straße 40, 50670 Köln</b></div>
<div class="item-article-title"><br
class="">
Eine wahre Geschichte: In einem
Dorf in Thüringen baut Luise Brand
Anfang der 1960er Jahre ein Haus,
in dem sie mit ihrem Ehemann,
ihrem Liebhaber, zwei Töchtern und
zwei Hunden lebt. Unmoralische
Verhältnisse, nicht nur nach
sozialistischen Maßstäben. Später
ist die Mauer weg, Luise Brand
tot, die DDR gescheitert. Das Haus
aber lebt. Die Schauspielerin
SUSANNE SACHSSE macht aus der
Geschichte ihrer Großmutter eine
spukhafte Konzert-Performance mit
der Band XIU XIU und erschafft so
ein glamouröses, mysteri-öses
Memorial: sexy, queer, dark!<br
class="">
<br class="">
----<br class="">
<br class="">
The true story of Luise Brand: in
a village in Thuringia in the
early 1960s, she built a house
where she lived with her husband
and her lover, her two daugh-ters
and two dogs. Immoral
circumstances, not only according
to socialist standards. Later the
wall fell, Luise Brand died, and
the GDR failed. But the house
still lives on. Out of her
grandmother’s story, and with help
from the band XIU XIU, the actor
SUSANNE SACHSSE creates an eerie
concert / per-formance and with it
a glamorous, mysterious memorial:
sexy, queer, and dark!</div>
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